
Every two years, Istanbul gets caught in a wave of artsy-fartsy as the
Istanbul Biennial explodes like a bomb. Until last week, so many other exhibitions, openings, projects and other things co-incided with the Biennial that even the artsy-fartsy nighthawks got tired of partying around. I couldn't cover them all, but here are some glimpses of the City under the invasion... of contemporary art!

The picture above was a glimpse of the
Istanbul Modern, the City's much-vaunted modern arts center. This picture shows what it looks like from the inside, with a special "10 years of the Istanbul Biennial" exhibition held up just for the occasion.

Other places, like Garanti Bank's
Platform Gallery are also running exhibits that are unrelated to, but certainly enjoying the popularity of the Biennial.

An influx of foreign artsy-fartsies means that you can find people of every nationality drinking around and having a merry time in the city streets. Some New Yorkers in this bunch were amazed that they could walk around with their beer bottles in Istanbul's streets, something which is punishable by a fine in New York.

They also had a spankin-new Mac which they used as a portable boombox. Better watch out for thieves!

Another artsy, but not fartsy spectacle of the last week was the opening of
Santral Istanbul, Bilgi University's monumental new humanities campus and fine arts museum. Why do all of these places have "Istanbul" attached to their names? Do art people constantly forget which city they are in? Or do the Turkish artsy-fartsies still retain a bit of nationalistic place-name jingoism despite their incessant, obligatory attacks on everything associated with patriotism? Nevertheless, this new campus will be a very beneficial addition to Turkish education as a whole.

Santral Istanbul also has its own Otto pub-grill-bar inside, with strange, jellyfish-shaped lamps overhanging a massive dancefloor. Those lucky kids at Bilgi University literally have their own club on their campus. During the opening night, free drinks meant that Otto Santral witnessed strange encounters between thousands of people coming in from the surrounding slums, and the cream of Istanbul's art-and-design communities. Needless to say, it was a slightly uneasy coexistence.

The local municipality also sponsors its own art projects for the beautification of the town, but such works are generally ill-conceived and end up being eyesores instead. Take this piece-of-shit iron door with baskets of bread attached, for example.

Wow, the bread is real and people actually nibble on it as they pass by. I wonder what it is supposed to mean? The title of the 'work'? "Door of Bread"! You get it? It's a door that's full of... bread! Ha. Ha.

No thanks go to Mimar Sinan University member Maryem Denizkran for this truly uninspired piece of crap art.