Sunday, 7 September 2008

At "Teras Büklüm"

Now it can be told: Here is a selection of pictures, going all the way back to 2004, of a particular crash pad that was very popular among certain youths in Ankara, my friends among them.

"Teras Büklüm," as it was called, was one of the innumerable places to hang out and drink in the drawn-out and boring weekend nights of the Turkish capital. A rooftop flat now abandoned by its owners, the only way to access it was to creep up silently through the apartment building and again, silently unlock and climb through a window leading up to its balcony. That famous window is seen in the first picture of this post. Here is what the flat looked like from the inside.

Now decorated all over with graffiti, Teras Büklüm had passed through its heyday in the mid-to-late nineties, when its owner was still living there and was throwing legendary house parties almost daily.

Here is the "living room" overlooking a beautiful vista of Ankara. The faint red glow seen from the right-hand window is Anıtkabir, the tomb of Mustafa Kemal Atatürk.

Much fun was had in front of this regal view, as the beer bottles littering the floor can attest.

A bizzare collection of objects still remained in the house, including a broken-down old radio, a bird's cage, a smashed guitar and perplexingly, a pair of jeans. I wonder who took it off, and why?

A detailed view of the layers of graffiti covering the main window.

The fanciful "Büklüm Club" sign was overlaid with faded lines of song lyrics and bad poetry.

A weird poem written on one of the doors read as:
No one tops you in making beauty ugly, in blaming the world for your fault. You knew the value for nothing, and you won't for me. You will ruin this too, certainly.
Note: A reader known as "Pınar" has warned me that this poem is actually a selection of lyrics by Teoman, a sex-obsessed Turkish pop star.

Here are some of the more interesting pictures we found on the walls. Here is a perplexing cube. But... it's also a lightbulb! Wow!

So hardcore!

This drawing, termed the "David Bowie" after the name of the song written next to it, was probably the most haunting image I came across in Teras Büklüm.

One really wonders the artists who painted these images, and their mind-states at the time.

And thus, with a peek at the Trainspotting-like toilet of Teras Büklüm, we finish our Tutankhamen-esque photo expedition of this wonderful place.

The last I visited this place was in a cold winter in 2006, two years after these photos were taken. The window had been smashed and then boarded up, making entry impossible for visitors. After that, rumors started that the entire building was to be demolished, but as far as I knew, nothing of this sort happened. I now have no idea what state Teras Büklüm is, since I haven't visited Ankara for more than two years.

Tuesday, 2 September 2008

Insect Eggs

Mystery eggs! I found these eggs, laid by an unknown insect, on a tree in Istanbul. That particular tree was crowded with Pentatomid "stink bugs" all summer long, so I wouldn't be surprised if these eggs belonged to those insects.

Signs of the Times

Go West: Channel bags, fake blondes and Starbucks on the perpetually busy Istiklal Avenue, which has seen an inordinate amount of gentrification in the past five years.

Monday, 25 August 2008

A Place of Gathering

One of the places of worship (Cemevi) used by some of Turkey's ten to fifteen million Alevis. Despite the prolonged struggle of Alevi activists, the Turkish Ministry of Religion refuses to acknowledge these buildings as official places of worship, relegating them to the status of "cultural centers" instead.

Saturday, 23 August 2008

Parasites!

Parasites! Parasites! Parasites! More than four months ago, I visited the Natural History Museum's Darwin Center in London to see their collection of parasites.

Housed in a vast and seemingly endless series of carefully maintained cabinets, thousands of jars contained millions of preserved parasitic worms.

Here is a jar full of nothing but tapeworms. I couldn't record what species they were.

I particularly regret not being able to recall what these things were. Whatever they are, these chunky, thumb-sized maggot/worm things were some of the most awesome things I'd seen. Mrs Eileen Harris, who guided me on my tour, told me they were retrieved from the liver of a horse.

More parasitic goodness: This worm had been preserved as it was emerging from its host fish, Alien-style.

Here is a jar that's full of nothing but parasitic nematodes. They were all collected from people, whose guts they particularly like to infect.

Parasitic nematodes come in all sizes. The ones you saw above were pretty small. Here is a bunch of medium-sized ones, as long as chopsticks.

And finally, giant nematodes as long as someone's arm.

But even that is far away from the largest parasitic worms can get. The jar you see here contains one worm. That's right, one, single, frighteningly long worm. It was collected from a killer whale and measures more than forty meters long. That's longer than some whales are, you know? This giant worm is the crown jewel of the NHM Parasitology collection and was even exhibited to the Queen of England!

Aside from tapeworms and nematodes, the collection also had numerous flatworms (like the one shown above,) eyeball-clinging copepods and parasitic catfish that attach themselves to... to... well, perhaps you could watch my latest documentary on the subject to find out.

If you like this kind of stuff, I strongly recommend visiting the NHM. This, by the way, won't be the last you'll see of this place in my blog.

Friday, 22 August 2008

At Arnavutköy

I was lucky enough to stay over at a friend's house in the beautiful neighborhood of Arnavutköy earlier this month. As I wandered out in the morning, I embarked on this short photo-odyssey through the district's breathtaking Greek neighborhood. Yes, that's the Bosphorus in the background.

Arnavutkoy, like each and every beautiful place in Turkey, used to be a predominantly Greek area. Although some Istanbulite Greek families still live here, many have fled after the brutal pogroms of 1955, and their houses stand deserted like so many ghost mansions. Here is one.

Despite the withering effects of time, the building's door still retains its elegance.

This fancy door handle still bears the traces of an era when people didn't need to lock their doors most of the time.

I poked my flash through the boarded-up windows to snap these pictures.

These pictures really broke my heart. An elegant house, full of cultured, civilized lives, has been reduced to a sleeping ground for dogs and beggars through the pressures of nationalism and xenophobia.

Of course, not every story from Arnavutköy is that depressing. Take a look at this mansion, beautifully preserved and restored. Unusually among all buildings in the neighborhood, it was covered in sculpted sheets of tin.

Occasional abominations like this mosaic-covered house aside, Arnavutköy is still a beautiful place to stroll through.

Thursday, 21 August 2008

Old Books and Videos

Shady arcades! After my visit to the biggest one in Kadikoy, here we are with one of its counterparts on the European side of Istanbul.

Such places are havens of cultural detritus from past decades. The stores in such arcades are loaded with old records, past issues of every magazine imaginable, kitsch posters, broken down toys, VHS tapes and the like. If you are one of those indie people who find this kind of stuff cool and trendy, then you will feel like you are in paradise.

This video store, whose name translates into "Lightning Video", is one of the last remaining video clubs in Istanbul, which used to be as common as coffeehouses during the golden age of VHS in Turkey during the 1980s. The guys working here stock copies every obscure, unknown and cult Turkish movie you can imagine...

...and some you cannot.

Here is a close up of one of Simsek Video's shelves. The titles include gems such as "We Need Husbands," and "Three Angry Warriors."

Other places in this bazaar of trash include this shop, which had the poster of an ultra-nationalistic film about the Turkish invasion of Cyprus. Titled "The Eagles of Victory in Cyprus," this forgotten film's poster has each and every gun blasting forth flames like so many ejaculations.

The same shop also sold numerous Turkish "science" books from the 1960s and the 1970s. This one, called "Universe/Evolution and Spiritualism", was one of the most interesting. Written by two people called Davut Targan and Güner Ünal, it apparently tried to reconcile science and especially evolution with something like Sufism.

I still regret not buying it, which is why, some day, I hope to return to the depressing confines of this interesting place.

Blowing Out the Candles

You might have noticed that I haven't posted anything for almost a month now, but don't worry - that is about to change as I have returned from my summer vacation. These pictures, on the other hand, have nothing to do with my summer.

These two sweet wall paintings are on the famous "Little Beyoglu" street in Pera. I have no idea who might have done these, but their level of sophistication is seldom matched in the streets of Istanbul.

Thursday, 31 July 2008

London Graffiti

With bookstore shelves bending under the weight of crappy "world-graffiti" books and a search for "Old Street graffiti" turning up more than 300.000 hits, presenting this post on London's graffiti artists loads me with a certain level of populist guilt. Nevertheless, here are some pictures from that city's bohemian center, Old Street.

Above, you can see a statement and counter-statement played out by nameless stencil and marker artists.

"B," on the other hand, is an artist who has traveled to London all the way from Greece. I was familiar with this artist's trademark style since my last survey of Athenian street art.

I don't know if this was intended as street art or an ultra avant-garde poster for a show or a concert.

Stencils...

...as well as political pieces are quite common.

While in London, I "discovered" a certain street artist named Natty, obviously a twist on the famous and overblown Banksy. He (or she,) places one such signature beneath each and every one of his works.

There's one. This was one of the most atypical of the "Natty" works and might not even belong to the same artist.

That's more like it.

This one might also belong to someone else...

Why do I have to write a particular comment for every piece? It's just graffiti!

Again, by "Natty." Pictures like these sure look good, but they are among the most shallow forms of human expression when it comes to original subjects. Sticking it up to the man, yeah. I wonder when street art will focus on works created purely for wonder and joy, instead of contrived attempts to "protest" something.